For the Autumn/Winter 2026–27 issue of Harper’s Bazaar Homme, The Old Lace Factory’s rooftop became a striking backdrop for an exploration of contemporary masculinity. Shot by Ethan James Green and styled by Panos Yiapanis, the rooftop frames a series of intimate and playful moments shaped by textured surfaces, skyline, architecture, and movement.

For the inaugural issue of Mavericks Magazine, Simon Pegg was photographed at The Old Lace Factory, where the North Wing’s eccentric textures and hidden corners shaped the creative direction.

Epic scenes from Arsenal x TCL film shot at night on our rooftop. A cinematic living room setup, complete with a huge screen and city views, brought Arsenal fans together to relive the season’s biggest moments.

Angela Friedman’s luxury lingerie shoot, captured in our South Wing, where embroidered lace and jewel-toned silks echo the studio’s peacock palette—set against antique furniture, sheer drapery and layered textures that feel almost made for the collection.

We were delighted to host a recent Something About Rocks editorial featuring Simon Pegg at our South Wing studio in East London. Set within a former industrial building, the space’s layered interiors—antique furnishings, textured green walls, and decorative details provided the perfect backdrop for a refined shoot combining luxury tailored suiting with fine jewellery.

In 2025, Chinti & Parker booked The Old Lace Factory twice, using our North and South Wings to shoot their Party Collection campaign with Laura Whitmore and a festive Christmas knitwear campaign.

Elizabeth Muse photographed their debut campaign at The Old Lace Factory’s South Wing, East London fashion photoshoot location, capturing editorial campaign imagery and e-commerce product shots in one day.

GQ Germany photographed Indya Moore at The Old Lace Factory for an atmospheric editorial shoot, using the North and South Wing studios to create a minimal backdrop for couture fashion styling.

Empire Magazine photographed Harris Dickinson at The Old Lace Factory, using the rooftop and South Wing studio to create an introspective editorial set against the East London skyline

Jason Statham’s action thriller A Working Man, directed by David Ayer, filmed scenes at The Old Lace Factory, transforming the South Wing into a decadent villain’s lair.

Disturbia’s Spring campaign Nature’s Veil transformed the South Wing into a haunting woodland set for a darkly romantic fashion shoot.

The BRIT Awards Warm-Up Show for ITV filmed at The Old Lace Factory, transforming the North Wing into a vibrant TV studio set for hosts Harriet Rose and Munya Chawawa.

Anoushka Shankar photographed for Sorbet Magazine in the South Wing, where couture styling and Dior jewellery were captured against richly detailed chinoiserie interiors.

Fable England photographed their whimsical spring/summer campaign at The Old Lace Factory, transforming the South Wing into a dreamlike setting inspired by Alice in Wonderland.

Actor Aoife Hinds stars in a fashion editorial for Aver Magazine, photographed by Boris Edrosa in the South Studio at The Old Lace Factory.

NewJeans’s Minji was photographed for the cover of Elle Korea’s Beauty issue at The Old Lace Factory, using the rooftop and South Studio for a stylish London editorial.

DI-AL’s “Florescence,” shot for Schon Magazine at The Old Lace Factory, uses the South Studio and rooftop as the setting for a poetic exploration of flowers, identity, and gender.

Aquascutum Active photographed their Spring/Summer campaign at The Old Lace Factory, using the rooftop and surrounding East London streets to capture a gritty urban backdrop.

Clive Christian’s Crown Collection campaign was photographed at The Old Lace Factory, where the South Studio’s antique oriental interiors provided an atmospheric backdrop for the luxury perfume shoot.

PinkPantheress filmed the music video for “Do You Miss Me?” at The Old Lace Factory, transforming the North Studio into a vibrant speakeasy-style stage set.